Peter Pan

When J.M. Barrie wrote ‘Peter Pan’ in the early 20th century, little would he know of his character’s longevity. Seen in numerous plays, TV and film productions, the tale of a ‘boy refusing to grow old’ has captivated generations. The 2003 version stays faithful to the source material. Directed with stylish panache by P.J. Hogan, he infuses genuine magic in a story still appealing to the child in all of us.

In stifling Edwardian London, young Wendy (Rachel Hurd-Wood) and her brothers constantly fill their days with fantasy. Indulging in tales of pirates and daring do, they are shocked when young Peter Pan (Jeremy Sumpter) flies into their lives. Taking them to a faraway place called Neverland, they meet dastardly Captain Hook (Jason Isaacs). Battling his wickedness, the young adventurers unite to stand up to his fearsome ways.

‘Peter Pan’ is best described as ‘enchanting’. From the opening minutes, this 2003 take revels in its colourful story-book setting. There’s a heightened feel to the production design with the lush orchestral score aiding in generating the glossy atmosphere. Occasionally the beauty on display threatens to over-whelm the story but the enthusiastic performances manage to equally captivate.

P.J. Hogan was wise to ensure ‘Peter Pan’ could be enjoyed on many levels. Refusing to talk down to his audience with childish sentiment, Hogan weaves a complex narrative amongst the cinematic dazzle. Many would still wish they’d never grow up like Peter, making the film relatable as well as being an entertaining fantasy. Entirely shot on sound-stages, ‘Peter Pan’ effectively conveys its theatrical origins.

With endless versions of ‘Peter Pan’ out there, it can be difficult knowing which one to watch. You can’t go wrong with this one as it maintains a steady pace while maintaining the story’s wonder and awe. Like the title character, keeping a smidgeon of child-like enthusiasm can keep most of us in good stead despite the lurking cynicism of our advancing years.

Rating out of 10: 8


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